May challenge 5: Gardener of love

Today is May 22, 2021 – and it’s the 50th anniversary of my parent’s wedding. Pretty amazing, crazy and perfectly reasonable considering the people they are. I put in an ad in the local paper and I called them this morning to congratulate them. They’re both in their late 70s but live a very active life, full of chores, staying healthy with quite a lot of gardening.

As it happened, after the call I spent the morning gardening while listening to Sylvan Esso and thinking about what kind of jam to do today.

One thing led to another, so I wrote a short song, or the start of the song. I might work on it, or not. Here’s the lyric and the first voicememo-recording of it.

May Challenge 4: Dub Trouble

Once again, right before midnight. Tried to get something going on the OP-1. Failed. Plan B: Microbrute. Three notes on the sequencer into my Re-501 tape echo and me trying to dub something out on my Mackie mixer. I routed the echo return out onto my ALT 3-4 buss leading to Sp-404sx, Kp3+ and SP-303 Vinyl Sim. Fooled around a bit and recorded it all into Ableton.

Once in the box, a basic four-to-the-floor seemed to make all my fooling around seem more deliberate and meaningful. The variations within the loose jam became more interesting framed by a more rigid structure. So I just threw on some dub chords and decided to call it a jam.

Tomorrow is Saturday and I hope for some extra time to make something more considerate and thought-through. Or, maybe the whole point of this exercise is not to think. Just do and see where it leads.

May challenge 3: Mayhem again

I’m seeing a pattern here. Not making time for my music making til the day is almost done means very little time to do something.

Today, I decided to go with my Op-1. I made a four-bar drumbeat using some pre-programmed sequences in the Finger-sequencer (the monkeys drumming). And used a sample of my voice to lay down chords, melody and bass. Not really knowing if I had sung the initial note on pitch, I decided to make all instruments from the same sample.

I finished it off doing a live-take from Op-1 into a DigDugDiy Purple Rain bitcrusher/lofi comp. Playing the controls as it went along.

Considering the time spent I think I did alright. 😉


May Challenge 2: Broken Limp

Today’s ingredients: Op-1 drum pattern (with Value-LFO + Nitro compressor) together with some pad chords sent into heavy SP-303 compression. Some rhodes with beat repeat + lame guitar picking and a stupid bass I had a hard time to make fit.

Just a stupid beat. Nothing really fits. I had hopes of doing something better. Maybe tomorrow!

May challenge: Jam 1 “Amadou”

I realized this morning that there are only 14 days left of May. So I figured, I can manage to make a small jam every day. Doesn’t have to be good, just showing up and making music. So, today I fear I’m acting blasphemous in the face of the funk gods. I cleaned up the worst warts, but there are plenty more.

Today’s jam got named Amadou a minute a go. I had my Boss CE-2 chorus plugged in and it immediately gave me some kind of West African vibe.

Two ingredients in this jam. Old Boss CE-2 chorus and Subdecay Prometheus Dlx filter/auto-wah.

One song to rule them all

This blog has been floating belly up for quite some time. Maybe the whole year has. Not in every aspect. But, I trodded into my usual traps. And once I lost my forward motion and momentum it seems everything spiralled out of control.

First of all, I made my Ep-project too precious and ambitious. And when the music that came out of my monitors failed to live up to my vision I lost heart. Instead of making some modest nice, clean productions with a few tracks. I piled takes upon takes desperately to make something grand. Til…it feels I could just as well start the whole song over and finish it in one night.

My singing didn’t work either. I self-consciously realized that it sounded like someone trying to sound good, rather than a good singer.

At the same time, in the last few weeks I’ve had fun producing some silly theme-music for some commercials (to be used internally within a company). It was all tongue-in-cheek and I did “infringement-safe” remakes of Kraftwerk’s We are the robots (using a Monotron!) and that Rocky-song Eye of the tiger. As well as a ping-pong song from sampling ping-pong balls.

The lesson for me is that I had a lot of fun, I was fast and could deliver a good product – since nothing was that precious to me. There was no prestige. There was no grand vision to match, everything was good enough – or rather great in its own way.

If I could work on my own music this way, there would just be wins. I would have more fun, be in a better mood to the benefit of my family, I would finish more music and more songs would be written – while I would be getting better at it.

So, no more precious. I fear I’ll end up as Gollum if I keep fooling myself this way.

Waiting for X

There’s always a good reason for not finishing. If you want to find a reason, you will find one. At least I do. The most common one is probably making the argument that the end product will be better if I do X first.

Well, X seems to be like Godot. He isn’t coming, so the thing never gets finished. No matter if it’s about DIY home renovating or making music, there’s always an X to keep me waiting, post-poning, losing speed and momentum. The iron cools down and I’m on a strike.

I realize the opposite to this is the Silicon Valley idea of a Minimum Viable Product. Instead of waiting for X to make it perfect, they make something good enough for now, so they can improve it if X comes around.

I know this. I’ve known this for a long time, and still I need to remind myself. A few years ago there were stories about Kanye replacing mixes of songs on Spotify after his album had been released. While a deadline and a finish line can be a good motivator for getting things done. It can also be liberating to see the finished work as …not definitely finished. It can always run another lap.

The important thing is to finish the first lap, and not to move the finish line. It just might be better to call it a “lap line”.

Visual illiteracy?

Just look around. This place is kind of grey. My Instagram feed isn’t much better. Dormant has a better ring to it than dead, but… On the other hand it fairly well represents my interest in the medium. It just never enters my mind to go onto Instagram to look at people’s pictures. I mean what for? In the supermarket they sell pet food. But I don’t have any.

I’m half-kidding, or I’m not. I recognize the impact of visual communication and Instagram, but I seem to lack the interest to be good at it. Or I simply lack a reason. I don’t get around my contempt for the impulse (and sure, I have it every now and then) to perform and acquire status in accordance to whatever subgroup-norms would be relevant for me. Then there are all the visual clichés. Meals, vacation feet, musical equipment in the company of cute objects. In a way, I’d love to be a part of it all. Instead I’m standing on the outside looking at the other kids playing and can’t get around my overthinking it all.

I might give myself an Instagram challenge of some kind. Just to see if I can get over the threshold. A tiny habit.

Self-archeology

It’s a strange word, and a strange thing to do. Not for nostalgic reasons, but to see if I could refresh some memories, I went up to the attic the other night to see if I could retrieve old letters from the time in Mannheim. I did. Not all the letters though. And it struck me what a different time it was, being young in the 90s. Before mobile phones and social media. That’s been talked about before, but looking at myself and my behaviour I could see what a interesting kind of contact-collecting mode I was in. I collected addresses and I wrote letters to anyone – to quite an extent for the chance of receiving letters. Funnily enough I seem to have been exchanging letters with people for no apparent reason, there was nothing about them I found interesting, other than them being girls perhaps. Or maybe it was some kind of loyalty to the kinship of having shared something, if but a few weeks on a location? Or simply a way to hold on, refusing to say goodbye? There’s something beautiful about the last idea. I’ll think more about it.

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I am the eggman

A good thing with experiments is that they aren’t precious. You are not taking care of something, you have no responsibility to fulfil something’s potential – but to learn from going through a process.

When I experiment I allow myself to be fast, to be reckless and daring – it’s all just a joyride. Steal an idea and drive it as far as you can.

I can see a recurring pattern in my behaviour, such as my Disquiet Junto-entries or my half-hearted Microbrute-Jamuary. I start out enthusiastically, it gets dull, I’m bored with my work and I drop out. Time passes and I listen back to my sketches and suddenly they seem full of life and potential, like the best work I did that year. Not fully finished, not perfect – but interesting, at least to me. And too often I regret that I didn’t keep pushing my experiments, that I didn’t keep exploring to really master those techniques that the experiments had led me to find.

“Nothing is precious” is a mantra sometimes heard, I think I read about a Radiohead guitarist saying it. It’s an interesting attitude. The confidence and belief that there will always be more ideas.

Well, as a songwriter I seem to carry a lot of eggs. I have crates of eggs from way back. And as long as I view them as precious, actually finishing them is an uphill struggle. It’s like I can only lose, as long as they stay unfinished I can still enjoy their ideal state in my fantasy. Now, what if I decided to see them all as bouncing balls?

To make an omelet … etc.